New Orleans played a large part in why I wrote a book on the greatest figure in all of Cuban music. It was something of an accident that sent me on the search for Benny Moré, a chance hearing of Qué Bueno Baila Usted, one of the best songs to come from any recording studio on the island of Cuba. Throughout her history, New Orleans had lots of cultural contact with her old penpal, Havana. Trading between these Caribbean sister cities included French opera, brass band instruments left over from…
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